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AVOX 4 collection is charged starting from $79 on the Antares website. Auto-Tune Vocal Studio collection is charged starting from $129 on the Antares website. Auto-Tune Pro products are charged starting from $129 on the Antares website. Harmony Engine EVO products are charged starting from $19 on the Antares website. Auto-Tune EFX+ is a versatile new vocal production tool, which combines the core features of Auto-Tune with the extensive Auto-EFX multi-effects rack, and Auto-Motion pitch-shifting melodic pattern generator. This is 'Auto-Tune EFX+' by Antares Auto-Tune on Vimeo, the home for high quality videos and the people who love them. The 2.0.1 version of Auto-Tune EFX VST is available as a free download on our software library. The actual developer of the program is Antares Audio Technologies. Our built-in antivirus scanned this download and rated it as 100% safe. The file size of the latest downloadable installer is 31.7 MB. Jul 29, 2019 Auto-Tune EFX+ includes the industry-standard pitch correction that Antares is famous for. Retune Speed and Humanize parameters enable you to tweak the effect from transparent pitch correction to full-blown warbling — the popular “Auto-Tune effect.” Auto-Tune EFX+ was designed with real-time use in.
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New to Auto-Tune EFX+ is a broad multi-impacts rack that opens up a universe of inventive conceivable outcomes, from unpretentious upgrades to outrageous vocal changes and changes. It incorporates six unique impacts modules, an XY Pad for continuous parameter control, and a library of multi-impacts patches structured by industry driving makers, writers, and sound fashioners: Mike Dean, Jeff Rona, and Richard Devine.
Antares Autotune is a program for handling voice.
The up and coming age of the world standard for expert pitch amendment, the quickest, simple to utilize, excellent pitch remedy apparatus, named Recording Magazine “The Holy Grail of Sounders”, and referred to worldwide as the most-sold sound module ever, Autotune Torrent key fixes issues Intonation in a vocal or solo instrument, progressively, without mutilation and curios, saving every one of the subtleties and articulation of the first execution – with phenomenal quality, so the main contrast between the first solid and the prepared one is the correct inflection. Moreover, this is contained in the interface, which is a case of ease of use, speed, and accommodation.Enables you to figure progressively the pitch of the first stable, decide the closest note by the client determined key (counting minor, major, chromatic fusses and 26 authentic and microtonic worries) and right the first pitch to precisely fall into the ideal agreement. The tuning speed controller enables you to set the proportion of the speed of tuning the tone to copy any style of execution.
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I saw that not at all like Antares Autotune EVO v6.09 key and scale are coordinated by the chose Mixed In Key …After establishment, it will request that you reboot. In the wake of rebooting, supplant the .dll document in the organizer with your vst’s with the warped record from the “* Copy and supplant to modules dir VST” envelope. For RTAS, move and supplant the introduced documents to .dpm and .dpm.rsr from the “* Copy and supplant to modules dir RTAS” envelope.
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Antares has reported Auto-Tune EFX3, a programmed contribute rectification plug with ultra-low inertness for live execution and following, and with highlights, for example, auto-movement design age. Auto-Tune EFX3 License Key utilizes a similar center innovation as Auto-Tune 7, however, includes new factor Retune Speed and Humanize (remedies short notes while safeguarding contribute varieties long notes) controls for progressively common, practical pitch redress. Worked in Auto-Tune EFX3 patch-Motion Vocal Pattern Generation adds many-sided melodic examples to a vocal execution. Auto-Tune EFX3 accompanies a library of examples and client examples are effectively included. Examples might be synced to the host rhythm at different beat divisions.
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Antares' EFX version of Auto‑Tune was designed specifically to create less-than-natural vocal effects, and this 'plus' version adds yet more creative firepower, to take it far beyond quantised pitch yodelling. The common Mac and Windows plug-in formats are supported, and two machines can be authorised at the same time.
The core features of Auto‑Tune EFX are augmented by a new Multi–Effects Rack and a new Auto-Motion pitch-shifting melodic pattern generator, the latter acting rather like an arpeggiator. As the plug-in relies on pitch tracking, it requires a monophonic source for the best results. Formant correction works the same as with other versions of Auto‑Tune, and there's a low–latency mode for real-time performance that sacrifices only a little quality. A large selection of presets shows what this thing is capable of.
The expected features include the ability to select a voice type, set a user scale (by key and type or via the keyboard) and to adjust the Retune Speed and Humanize parameters. Using these with delicacy, you can produce natural-sounding pitch correction for routine vocal tightening. The keyboard at the bottom displays the current detected pitch in blue, and notes can be added or removed from the scale with a click. The plug-in is also compatible with the optional Antares Auto‑Key software that can work out the key for you.
The Multi–Effects Rack modules include: Pitch and Throat, which uses the formant shifting alongside pitch shifting; Duet, for natural-sounding double–tracking; Vocode, which aims to deliver classic vocoder effects; Tube Amp, for adding analogue warmth; Mutate, for ring modulation; and a high-pass EQ filter.
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Auto-Motion features a library of preset melodic patterns that follow the key, and this can be set to an adjustable speed or be sync'ed to tempo with a choice of subdivisions. The pattern browser shows the general shape of each pattern in a mini piano-roll view. There are three different trigger modes and you can use DAW automation to bring the effect in and out. The modes are Momentary, Toggle or Auto, which activates when an incoming pitch is recognised. There's also a choice of Hard, Soft or Legato pitch correction, the latter adding smoother note transitions. In Latch mode, the Play Pattern button acts as an on/off switch.
Each Multi-Effects Rack effect comes with its own library of presets, and each patch can combine up to four effects modules. Each module has two adjustable parameters, and the clever part is that these can be controlled by a simple X/Y pad. You just pick a Multi–Effects Rack template with the combination of effects you want (you can't populate the effects slots yourself) and go from there. The Vocode module (which always tracks the input pitch; MIDI control isn't supported) offers emulations of 10 different vintage vocoders, for which X is the wet/dry mix and Y the pitch shift applied to the synthesized output. Pitch and Throat combines dynamic pitch shifting and throat modelling, the X parameter corresponding to throat length and Y to pitch shift. Duet offers adjustable pitch and time variation, and the Mutate ring modulator sees X controlling the carrier frequency and Y the wet/dry mix.
It soon becomes clear that you can perform some serious vocal manipulation with this plug-in.
Operation is straightforward, with the large knobs looking after Retune Speed and Humanize. The faster the retune speed and the lower the humanise setting, the more hard-quantised the vocal pitch sounds. The four effects are located in the lower centre section of the screen, with the X/Y pad to the right and the patch browser to the left. Switch to Auto-Motion view and the effects section of the GUI is replaced by the automatic pattern generator section.
With just a little experimentation, it soon becomes clear that you can do some serious vocal manipulation with this plug-in. (That said, its more subtle pitch-correction and fake double–tracking talents shouldn't be ignored.) Early examples of 'abused Auto‑Tune' were often mistaken for vocoding, so it's nice to see things come full circle with the automatic vocoder being added. The pitch/formant manipulation can be used very subtly to change the character of a voice, or you can push the boundaries further and turn your lead vocalist into Gollum's Martian cousin. Ring modulation isn't conventionally musical, but it is useful as a spot effect, or for creating more robotic, dissonant sounds. The pattern generator can also be a lot of fun — though is perhaps best used sparingly. You can't create your own patterns, but there's a surprisingly long list of presets that covers a lot of ground.
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Auto‑Tune EFX+ is very easy to use and capable of some genuinely surprising results, many very obviously effected, that can really kick–start the creative process. And don't think you can only use it on vocals — most monophonic sources seem to generate something useful, so as always experimentation is the key.
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